fiaf.org/crossing the line
For me this should have been the most compelling story. It begins with a 2000 year old box with the drawing of a garden. Taking your garden to your grave, would you want to? This narrative closes with the idea: What if they closed the doors to the Met and we waited 2,000 years to open it!
My favorite listening experience is called “Peggy’s Glasses”, read by Camille Laurens. A couple of years ago, I splurged and purchased the glasses. They are sunglasses and as Laurens says they resemble a Venetian mask.
Laurens’ story is distinguished by its interaction with the listener. She asks you to enter the Guggenheim shop, try on the replica of Peggy Guggenheim’s famous glasses. Laurens poses several questions and finally you return the glasses to the sales clerk and go into the Rotunda, which according to Laurens is the place with the most beautiful light in all New York.
Again she poses the following question: What is the COLOR that tears at your memory? a dress, a forest, an egg yolk, a nail polish, a tie. What color is your strongest memory? I am still thinking of the answer to this question.
If you have been to these museums a couple of times, you can listen to the Soundwalk, without actually being in any of these museums. It would help to google the David painting and have it on the screen as you listen, as it would to have an image of the Guggenheim glasses on the screen. I listened again at home to these Soundwalks and I was as immersed in most of the narratives as I was the first time I listened. I don’t ever get the audioguide in a museum. I hate being tethered to the device and I dislike being told what I am seeing. Soundwalk is different. It’s a gift to be read to once again.
Philippe Claudel, Cafe Sabransky
Camille Laurens, Peggy’s Glasses
Teju Cole, Farewell Tour
John Giorno, There was a Bad Tree
Texts available in English and French
Supported by original music
and sound design by Soundwalk.
Funded by Etant donnes, the French-American Fund for the Performing Arts, a Program of FACE, and the Societe des Auteurs et Compositeurs Dramatiques